I spent three pretty amazing days at this Wine Summit (LINK) in Cascais/Estoríl, Portugal. The focus of the summit, now three years old, is innovation in the wine industry. Speakers and attendees covered a wide range of industry representatives, from growers, to winery operators, marketers, business consultants, wine writers, and others. The coordinators/founders are Rui Afalcao (also a presenter) and Paulo Salvador. Both were available throughout the summit.
I was there on a press pass (full disclosure), and I really have nothing negative to say about the event. It was among the best organized and presented conferences I have attended anywhere (more about that in a minute), and I was surprised that attendance was not higher. I don’t know the numbers, but there were a good number of empty seats, which means that a lot of people missed a great opportunity to get some timely and important information about the state of the wine industry and its future.
They also missed a chance to visit one of the most beautiful areas of Portugal, along the Atlantic Ocean about 30 minutes west of Lisbon. Lovely beaches, great food and wine, and lots to explore in the areas of Estoríl and Cascais.
The Wine Summit had a simple format – speakers each day with a few panel discussions spread around. Each speaker had an hour and usually spoke for 40 minutes or so, then responded to questions from a moderator and the audience. The excellent Summit staff had 4 portable microphones to get to audience members, and that aspect of the program ran very smoothly.
I will be posting in more detail about some of the presentations over the next few weeks. Speakers included Eric Asimov, NYTimes Wine Writer; Gaia Gaja, of the legendary Italian Wine family; Miguel A. Torres, President of Bodega Torres; Isabelle Legeron, France’s first female Master of Wine; Lisa Perrotti-Brown, Editor-in-Chief of Wine Advocate; Felicity Carter, Editor-in-Chief of Meininger’s Wine Business International; and many others. Here is a LINK to the speakers list (click on SPEAKERS).
Jim with Eric Asimov
The big topics – climate change, changing markets for wine, natural wines, wine writing and criticism, and technology in wine making and marketing, and the importance of tradition while moving toward innovation.
Naturally, one of the best things about an event like this is the conversation during breaks, over meals, and into the evening about all things wine. And, of course, drinking some of the amazingly unique Portuguese wines along the way.
As noted above, the summit was very well run, beginning with a well-designed website with good information and a simple registration process. Once at the site – the Centro de Congressos do Estoril, a very modern facility – the event was laid out beautifully with excellent graphics, good signage, and a gathering area where breaks, lunch, and lots of wine tastings happened. The site was well-staffed and the staff was very responsive and generous in making sure that everyone had what they needed.
As noted above, I will get into more specifics over the next few posts – and if you look through my Twitter feed @JimLockardWine there are lots of specifics and photos. Consider this an introduction – and an invitation to put this event on your radar for 2020.
A good video to review, or to see for the first time, ROBERT PARKER’S BITCH looks at the issue of the power of wine critics to influence how wine is made, marketed, and sold.
This from the well-worth-your-time SOIF Blog (LINK) speaks to the video:
Yes, it is 26 minutes long and very few of you are going to have the dedication for that. And don’t think I am trotting this out as a slam-dunk on the argument. Just an interesting piece about 5 years old which needs to be dredged out occasionally. Nothing ground-shaking here–more about marketing than anything. Anyone who has ever had a 1985 Napa Cab and a 2005 Napa Cab and a 2015 Napa Cab and wondered what happened should watch this. Anyone who enjoyed Sonoma Zinfandel in the 90’s and has tried Paso Robles Zinfandel today should watch this. It is in-depth enough the serious wineNerds will enjoy it and if it just plants the seed of “Why?” in the minds of the not-so-wineDork, then I have done my job. Read your labels, people.
Here is the video:
I think the video does a good job of defining the territory – and, perhaps as was noted, the younger generation (Millennials) and beyond will move to new ways of discovering wine. And remember, the oldest Millennials are nearly 40. That said, if the Parker favored style is not to your taste, there are plenty of options – but you will have to become educated about them.
As I often say in this blog – wine is about enjoyment, and the depth of knowledge of any wine lover only needs to be sufficient to allow the level of enjoyment desired. We don’t need to be experts to enjoy wine, but it is good to have information like this as wine consumers.
REFUSE TO BE INTIMIDATED. The world of wine is populated with a few, well, snobs. There are people whose income depends on you, the consumer, feeling like you don’t know enough to order a wine you will like. There are some whose income depends on getting you to buy a wine whether you like it or not. There are also few who want to make you feel uncomfortable just for their own ego gratification.
That said, there are also lots of folks who can and will help you feel more comfortable. These can include wine stewards or waiters in restaurants, employees in wine shops and at large retailers like Costco, tasting room employees, and, yes, wine bloggers like me. Take advantage of their knowledge and willingness to help. Even with the first group, you will usually find if you ask a couple of clear questions and let them know what you like and what you are willing to pay, you will get what you desire.
2. BE AN EXPLORER. Try some unfamiliar wines. Even if after doing so, you become a drinker of one kind of wine, you will at least know that you aren’t missing something better for you. Again, wine retailers and restaurant employees can be helpful. Like Malbec? Try something close, like a Barbera or a Tempranillo. Traveling? Try the local wines. (LINK to my post WHAT KIND OF WINE DRINKER ARE YOU?)
3. AVOID REALLY CHEAP WINES. The issue here is not so much about price or quality as it is about additives. Most new world (that’s everyplace but Europe) wines under $10 to $15 are laced with additives of various kinds. There are no labeling requirements, so you don’t know which ones or how much of them are in your wine. Some additives are benign, some are not. Many people who eat only organic food buy cheap wines filled with chemical additives – unknowingly, of course. (LINK to my post on ADDITIVES)
There are three main reasons that cheaper wines have more additives than more expensive wines: One, consumers of cheaper wines tend to want their wine to taste the same every time. They are not interested in seasonal variation – the kind based on weather which affect wine grapes from just about everywhere. So, additives can mask changes – and in cheap wines, the issue is not seasonal variations; most are bulk wines, made from whatever grapes or juice are available at that moment from any location. Second – additives can make a rough product taste smoother, smell better, look better. In other words, mask problems. Third – there are economic reasons to use additives in some products, and your health is not one of them.
4. NEW TO WINE? TRY A STARTER CASE. I blogged about this a while back. If you are new to wine or have someone, like in my case, my daughter, who is new to wine, consider a starter case. This is a mixed case of wines for them to try to learn about. Then, when returning to the wine retailer, you or they can say what you liked and would like to get more of, or maybe explore a bit with something like what you enjoyed previously, but different. (LINK to my post on STARTER CASE)
5. LEARN HOW TO SHOP FOR WINE. I often go into wine shops without intending to make a purchase – just to look around, familiarize myself with the kinds of wines available, the labels, the price points. I may engage someone in the shop in a conversation about a specific wine, or a wine region that they feature. And, truth be told, much more often than not, I walk out with a bottle or three.
Many reputable wine writers and bloggers will tell you to ask questions when shopping for wine. Wine shop employees will generally enjoy helping you (with the possible exception of the Holiday rush). For example, you might ask for a wine in the $20 range to go with a lamb roast, or something to take as a special gift to a lover of Argentinian Malbec. (LINK to my post on SHOPPING FOR WINE)
6. LEARN HOW RESTAURANT WINE WORKS. There are a few things to be aware of when ordering wine in a restaurant. One is the pricing structure. The norm is to mark up a bottle two to two-and-a-half times retail cost. Many restaurants are offering wines at a lower mark-up (in Europe it is often the same as in a wine shop). Wine is a significant part of the profit structure at many restaurants. For others, it is an afterthought; the wines may not even go with the food offered.
There are myths about ordering wine in restaurants. Most are false or only partly true. The reality is that if wine is a serious consideration in a restaurant, the wine list will have been chosen with care based on what is important to that restaurant’s management. It might be by region – focusing on Italian wines in an Italian restaurant; or by type of food served – an emphasis on white and rosé wines in a seafood restaurant; or it may be wines selected for the specific items on the menu. Some say that the best buy is the 2nd cheapest wine on the list. This is almost never true. If it is good value you are seeking, a good choice is to order a bottle of one of the wines they are selling by the glass. These wines are usually a good value and they are sold by the glass because they are well-received.
Again, don’t be afraid to ask the waiter, wine steward, or sommelier for guidance – and DON’T forget to give him or her your budget! I have never had a negative experience with wine in a restaurant when I have been given guidance (I don’t always ask for it). (LINK to my post on ORDERING WINE IN A RESTAURANT)
Restaurants Want You To Be Satisfied.
7. REMEMBER CORKAGE. In many places, you can bring your own wine to a restaurant. Normally, a corkage fee will be charged, to cover the cost of using the glasses and having the wine open and served by the restaurant staff. This is a good option if you have a special bottle to share with family or friends that will go well with the restaurant meal. Some etiquette – if you don’t know, check in advance on the corkage policy of the restaurant; don’t bring a wine the restaurant has on its wine list; don’t pay $20 corkage on an $8 bottle of Yellow Tail to save money. And, if the wine is corked or otherwise bad, don’t try to send it back for another bottle! (LINK to my post about corkage)
8. LIFE IS TOO SHORT TO DRINK BAD WINE. I know you have a budget, which, like mine, is limited. And maybe you don’t have an educated palate to justify really expensive wine. However, as I noted above, just about all of the really cheap wines are filled with additives and are bad for you. So, think about how much wine you drink and what it would take to get the average cost per bottle up to $15 or more. At that price point, generally speaking you are drinking wine, not just a mixture of random grapes made in bulk. You will notice qualities like minerality, or terroir – the effect of the soil on the wine. You will begin to tell varietals apart ($7 Cabernet Sauvignon tastes surprisingly like $7 Merlot). And you will be drinking a more healthful beverage.
Also, if you buy a decent bottle and it’s bad (corked or chemical tasting for example), don’t drink it! Pour it down the sink, or if it’s not too bad, save it for cooking. If you get a bad bottle (meaning there is a flaw of some kind) at a restaurant, let the staff know. They should replace it. If they disagree with you, let them know that you may not be an expert, but you find the wine undrinkable. They should replace it with another bottle. If the first one was bad, you will taste the difference in the new bottle. It is bad form to ask for a different wine in this situation. Maybe you will get lucky and that will have been their last bottle of that kind in stock! (LINK to my post on EXPENSIVE WINES)
9. WINE ENJOYMENT IS SUBJECTIVE. No matter what the experts tell you, for 95% of wine consumers – the ones who haven’t trained their palates for years and taken rigorous certification classes – wine enjoyment is subjective. You either like a wine, have a “meh” reaction, or don’t like it at all. Robert Parker can’t tell you if you will like a wine. I try to look at tasting notes only after I have tasted a wine, to see if they got it right for me. There are things to know about specific wines, but, let’s be realistic, most who drink wine will never invest the time and energy to learn more than a few of them.
Wes Hagen, currently of Central California’s J. Wilkes Wines (LINK), shares his way to taste wine for most consumers:
Swirl the wine in the glass and look at the color; put your nose to the glass and sniff the bouquet; if it smells like something you want to put into your mouth, take a sip; if it tastes like something you want to swallow, swallow it; notice the finish.
If you begin from there and add some knowledge as you go, you will never get to a point where Wes’s advice doesn’t hold true.
With Wes Hagen AFTER a Tasting.
10. HAVE FUN WITH WINE. Wine is both a beverage and, for some, a lifestyle. I love sharing a good bottle with friends and family, and almost never have an expensive (say over $30) bottle when alone. Dorianne and I used to have wine dinners, where we would ask our guests to bring a special bottle, like the one they’ve been saving for a special occasion for ten years, and a dish to accompany it. At the dinner, each guest will tell the story of their wine as everyone shares it. Or bring a bottle from a trip and share the story of the trip.
Go wine tasting when you travel near wine country – there are hundreds of “wine countries” these days. We have tasted in Mexico, Hungary, Poland, Ukraine, England, and in Michigan, Maryland, New York, Virginia, and Texas, to name a few outside of the normal wine destinations. You will meet some great people in the local wine industry, and fellow tasters are often interesting as well.
I am sure that there are other guidelines for enjoying wine. These are my top ten and I hope you find them of value!
I was directed to Dirty Laundry Vineyards (LINK)(LINK) by a friend from Southern California who hails from the Okanagan Valley area; her husband, also a transplanted Canadian, does the graphic design for the operation. It is a winery with a story.
Located in Summerland, about an hour south of Kelowna on the southwestern shore of Okanagan Lake, Dirty Laundry stands out, less for its wines (which are very good), than for its marketing and story. The first thing you see as you approach the tasting room and patio area is a life-sized cutout of my friend’s daughter, Skyeler, who has modeled for the winery (she’s also on the website and area billboards).
It seems that the main building that now houses the tasting room and offices was formerly a laundry on the first level and a bordello on the second. The winery has taken that story and run with it – in spades. The extensive gift shop has lots of bordello/saloon-related items along with the usual wine-related gifts. Tasting room staff are women in period clothes who regale customers with the story of the place as they pour complimentary tastings. There is a large patio overlooking the vineyards and the lake with an outdoor tasting counter, a beer bar, and an area for live music.
After our tasting (more about the wines in a bit), we met with co-owner HermanTeichtmeister, who asked if we had 20 minutes and spent two hours showing us around and telling the story of the vineyard and winery operations, the marketing plans, the graphic art that is so important, etc. It was one of the most thorough winery tours I have ever had – and we never entered the vineyards.
As one of nearly 200 wineries (some put the number as high as 285) in the Okanagan Region, Dirty Laundry has had an aggressive growth plan, moving from under 10,000 cases to about 35,000 in eight years. The plans are to get above 50,000 in the near future. The challenge, of course, is to do that while maintaining quality and finding more customers. Winemaker Mason Spink’s focus will be on the quality, while HermanTeichtmeister and fellow owners will focus on expanding the market.
Dirty Laundry produces 17 wines. While that is not all that unusual for a growing Okanagan winery, it offers many challenges in terms of consistent quality. I tasted 6 of the wines, and in my opinion, the quality ranged from average to very good. This makes sense in terms of the size and nature of the operation – they are looking for a wide audience of consumers, not the aficionados.
The 2011 Bordello Blend, a blend of Merlot, Cabernet Sauvignon, and Cabernet Franc, brings a Bordeaux blend to their lineup. The clever packaging adds to the experience. The label contains images from the bordello days, and one needs a magnifying glass to see what they are.
The 2014 Woo Woo Vines Gewürztraminer is a complex wine, nicely crafted, and stands up well to the best in the Okanagan, where Gewürztraminer is the king of white wines.
Dirty Laundry Vineyards is a great place to visit to have fun, be entertained and refreshed, and get something to eat. If you see their wines in the store (in Canada for now), you should give them a try.
The wine world is filled with possibilities. There are dozens of nations, hundreds of regions, thousands of appellations, tens of thousands of vignerons and wine makers, and probably hundreds of thousands of wine outlets if you count restaurants. You can add to that all of the wine knowledge, science, literature, publications, websites, bloggers, and well, it’s a lot. Can you imagine walking into a restaurant, asking for a wine from a specific label which you happen to like, and them actually having it?
How is one to make choices about what to drink and when?
Dorianne at Gallerie Lafayette’s Chateau d’Yquem Display – Paris
And there are price points to consider, wine rating points (should I order a 91 or an 88?), sometimes snooty sommeliers and wine shop employees, various vintages of differing quality, and labels, labels, labels. And those labels are on bottles with corks, bottles with screwcaps, boxes, cans, casks, and more. And by the way, how should you store that wine?
Too many options can be frustrating.
Oh, and what wines to serve with which foods? Which wines to sip alone? What kind of wine opener should I use? What other wine accessories should I buy? What temperature at which to serve the wine? In what kind of glass (or slipper)? Bubbly, sweet, dry, demi-sec? Port or late harvest? And ice wine!
Many “experts” are just guessing.
All of this can be seen as a huge obstacleto wine enjoyment, or it can be seen as a vast array of opportunities to enjoy wine. Like much of life, it all depends on your attitude.
Entry into the world of wine is really quite easy. Wine is practically ubiquitous – it’s pretty much everywhere. I was just in eastern Ukraine and had local wine, some of which was delicious (LINK).
One way to view the many options in the wine world and all of the different types of knowledge and skill that goes into the whole process of bringing wine to your table, is to see an opportunity for almost endless exploration. You can have a different wine every day and never repeat yourself (assuming varied wine retail options in your area and online).
Another way to approach the wine world is to find a few wines that you like and stop there. I have a friend who rarely drinks anything beyond Kendall-Jackson Chardonnay; another who will only drink oaky chardonnays. Some may only drink Port wines; others Napa Cabernets.
You can study broadly or do a deep dive into a narrow range of wine knowledge and experience. Most will be somewhere in between the extremes, but there is a niche for everyone. The key is not to pay too much attention to what the “experts” or the marketing forces tell you as they try to steer you toward their own preferences. Find your own way – if it isn’t interesting or fun for you, you’re not doing it right.
Me, I have some favorite wines, some favorite producers, some favorite growing areas, and some favorite countries. I also like to experiment with wines I have not tried yet, but I tend to favor a known quantity with a good meal. For example, we were in Kraków, Poland recently (LINK), dining at Padre, a local Polish restaurant. I was having lamb and noted that there was a very nice French Malbec from Cahors on the list. Knowing how a rich, inky Cahors Malbec would go with lamb made my decision easy – so I passed on some Polish wines. I picked a favorite over the chance to explore – that time. At other times, I will make a different decision. But that is me. You may well do something different.
Visiting Wineries can be both Fun and Educational.
My point is that the bulk of the effort in learning about wine should go into learning what YOU like about it. Then go from there. You may become an expert in Cabernet Sauvignons from the east side of Paso Robles; or you may be the go-to person for advice on Hungarian reds. Or, you may be that person who always drinks Kendall-Jackson Chardonnay.
So, if you are new to wine, consider building yourself a starter case (LINK) to see what you like. Let your local wine retailer know your preferences, including if you like to try new things or stick close to what you already know. If you travel, check out the local wine scene, either in town – wine bars, urban wineries and restaurants; or head out into the local wine country to taste and explore. In an airport? Stop at Vino Volo and try a wine that you’ve never had before. Sign up for an online service like WTSO.com(LINK) and opt for something new to you.
A Starter Case is a great way to find out what wines you like.
Maybe you are a long-time wine consumer who is ready to spread your wings a bit. You might begin with your local wine shop – tell them what you like and ask them how you can explore some new wines that have a similar profile. Go to a Greek restaurant with good Greek wines on the wine list, and try some if that is new to you. See if there are some small producers of wines in your local area and give them a try. There are lots of possibilities. Try not to be intimidated by the experts or by too many choices. Take your time and stick to what you like – and maybe explore around the edges.
The world of wine is literally at your feet. Enjoy!
I was invited to an industry-only tasting in London yesterday. Titled “Artisans of Australian Wines,” it featured 43 labels being introduced by 15 British distributors. Held during the day at Cargo, a trendy nightclub in the Shoreditch area of London, the event was both fun and very interesting.
I had heard of exactly none of the 43 labels before the tasting. Indeed, most are smaller producers who do not export to the U.S., and who are just trying to break into the British market. I spent about 3 hours exploring, tasting, speaking to the people pouring (sometimes someone from the winery/vineyard, but most frequently someone from one of the distributors). I did not taste everything (there were at least 200 wines), not even close. But I will give you my impressions of what I did taste and who I did meet. And I will list all of the labels at the end of the blog post, in case you happen across any of them.
General impressions: there were some very nice wines here; in fact, most were very good or better. That would make sense, as they had been vetted by the distributors. Australia has no restrictions on who can grow what grapes where, and no blending rules, like there are in France and Spain, therefore, there is a great variety of both the varietals grown and the blends that are produced. There were a couple of wines that did knock my socks off, but only a couple. That said, pretty much all of these wines could have a place in my cellar or on my table or both.
So with my apologies to those labels that I did not get to taste (mostly in that really crowded section in the front room), let’s see what I did taste.
Adelina and VineMind Wines: The winemaker, Col McBryde was here pouring wines from his two labels. He produces about 2,000 cases/year and has been exporting to the UK for 6 years. Of most interest to me are his Rieslings, one from each label – both nicely balanced with minimal residual sugar.
Yangarra Estate: Nicely polished, well-crafted wines from a producer owned by Jackson Family Wines of California. Winemaker Peter Fraser (Australian Winemaker of the Year for 2016), has crafted two wonderful McLaren ValeGrenache wines from single vineyards. The 2013 High Sands Grenache is of particular note.
Chalmers Wines:Kim Chalmers, daughter of the owner, was pouring the Chalmers Wines at the tasting. I tasted four of the ten Italian varietal wines (3 labels) on hand – a 2014 Vermentino, which was one of the best whites I tasted all day – smooth, velvety, with green fruit and a hint of minerality on the finish – simply excellent. The 2013 Fiano, a varietal I had not previously encountered, was like a younger sister to the Vermentino in character – which makes me think that the winemaker has a large influence on the wines. The red, I tasted, a 2015 Nero d’Avila, was well-structured but young – it needs some time. The 2016 Schioppettino, under the Chalmers Project label, was tannic and bold, with red fruit and a strong finish. Another varietal that is new to me.
Castagna Wines: The father and son team of Julian and Adam Castagna were presiding over their table with aplomb. Their Rhône-focusedvineyard & winery deliver the goods. Their wines were consistently well made and nicely balanced. I tasted 8 of 9 wines available (choosing not to taste their Shiraz Vermouth). Standouts were the 2016 Rousanne, bottled a week ago, and already moving toward becoming a great white wine. The highlight, however, is their 2008 Sparkling Genesis Shiraz-Viognier, a dark red sparkler that delivers great taste and can be paired with just about anything, including meat. This is an amazing wine.
Bill Downie Wine: Apparently, Bill Downie is fairly well-known in Australia as a producer of small quantity, high quality wines. The lone representation of his work, sitting at the end of a table where about 5 other labels were being poured by distributor reps, would have been easy to overlook – in fact, I did on my first pass. Only after reading about it in the catalog did I return to try the 2015 Riverland Biodynamic Petit Verdot. This was my favorite wine of the day. I liked everything about it – the nose was beautifully balanced, inviting you to taste, the mouthfeel was like velvet, with red and black fruit, some leathery tones, and a smoothness that carried into the finish. If I could have purchased a case, I would have. Be on the lookout for this wine.
L.A.S. Vino: Aside from good marketing and design (something that was in abundance here – no doubt a reflection of the assistance that a good distributor can provide) this winery makes some good wine. I only tasted the 2013 ‘Portuguese Pirate’ Margaret River Blend made with Touriga Nacional, Tinto Cao, and Souzao grapes. I cannot honestly attest as to whether this blend is on a par in style or quality to a similar blend in Portugal, but I can say that this wine is of very high quality and would be an excellent companion to a leg of lamb, a steak, or a good cigar. Think smooth, a bit jammy (but not too much), and rich in black fruit. Very nice.
Vinteloper Wines: This Adelaide Hills winery is operated by winemaker David Bowley, who was present and pouring. I tasted three of his excellent wines, two Pinot Noirs – which were nicely crafted and very good, especially his 2012 OPN Lenswood Pinot Noir, a single vineyard beauty. We had a good discussion about Pinot Noir, and I told him about some of the great Burgundian style wines coming out of the Santa Rita Hills AVA in California.
Bowley’s other wine, the 2015 ‘Urban Winery Project #3’ Shiraz/Malbec comes with a story. This nice table wine is the result of a project that Bowley undertakes every year at harvest time. He moves parts of his winemaking operation to a city and, for one month, opens the operation to the locals, who can do everything from stomping grapes to blending wines. It is a great marketing idea – and a great way to invite people into the winemaking process. Kudos to David Bowley.
Sami Odi Wines: Two wines from this small producer were available for tasting – both are a bit unusual in packaging and presentation. The distributor rep, a very nice young woman, spoke so fast that I did not get a lot of information from her (my issue, being an American – she was speaking The King’s English after all). But the wines were very good – a ‘Little Wine #5’ Syrah and a 2014 Syrah ‘XIV’. The former comes from a vineyard with vines planted in different years. Both bring out the best aspects of Syrah.
Chaffey Bros Wines: Producing in the Barossa and Eden Valleys, Chaffey Bros make a number of wines. I would say that their strength is in their whites. I tasted 5 of 7 wines available. Their Rieslings were very good, the best being a 2015 Tripelpunkt Riesling, with fruit from three vineyards – dry with a hint of sweetness, floral notes, and smooth finish – what I like to see in a Riesling. Of interest is a true field blend, called 2015 ‘Düfte Punkt’ with Gewürztraminer, Riesling, and Weißer Herold (Kerner). The field blend was nicely balanced – not a great wine, but of interest because of the willingness to experiment.
S.C. Pannell/The Other Wine Co.: Side-by-side on the tasting table, these wineries bring good tasting wines at value price-points. I tasted the 2014 S.C Pannell Adelaide Hills Syrah (McLaren Vale) – very rich, even for a Syrah, almost jammy; but nice red and black fruit notes with chocolate and slate later on. Long finish. I tasted the 2015 The Other Wine Co. Adelaide Hills Pinot Gris (before the Syrah) – a decent table wine with notes of lemon grass and pear.
Again, I did not taste them all – my bad – but suffice to say that there were a range of good quality wines on display. Aside from a growing tendency to call Syrah by its original name, instead of Shiraz, the most remarkable thing about this group was the wines – good quality and individual character. The UK wine market will be looking up thanks to these Aussie newcomers.
As promised, a list of all of the producers present:
Lethbridge Wines Deviation Road Adelina VineMind Yangarra Estate Mac Forbes Chalmers Gembrook Hill Teusner Eden Road Ruggabellus Eperosa Strenua Ochota Barrels Jamseed Wines Luke Lambert Wines Timo Mayer Delinquente Wine Co. Si Vintners Patrick Sullivan Wines Xavier Gentle Folk Wines Castagna Jauma Bill Downie La Línea L.A.S. Vino S.C. Pannell The Other Wine Co. Chaffey Bros Bellwether Vinteloper Bremerton Wines The Pawn Wine Co. smallfry BK Wines Massena Sami Odi Byrne CRFT David Franz La Violetta Ministry of Clouds
You may be seeing some of these labels in your area soon.
2. BE AN EXPLORER. Try some unfamiliar wines. Even if after doing so, you become a drinker of one kind of wine, you will at least know that you aren’t missing something better for you. Again, wine retailers and restaurant employees can be helpful. Like Malbec? Try something close, like a Barbera or a Tempranillo. Traveling? Try the local wines. (
Jim Lockard On Wine 